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Son of Hidden Art

Unto This Last's Brick Lane studio, workshop and shop space opened on the first day of Open Studios five years ago. Furniture designer-maker Olivier Geoffroy tells us about his vision for efficiency on a small scale.
 

Olivier Geoffroy
Olivier Geoffroy
The name Unto This Last comes from John Ruskin's 1860 political economy essay of the same name about resisting the industrialisation of society - and Olivier shares Ruskin's ideology.
 
Olivier poses the question:  "Is it possible to compete with mass production as a small scale designer-maker? I'm not sure if there is a way, but if there is, the solution has to be digital as it is
economically sustainable."
 
While working in publishing in France, Olivier learned two things: one, the power is in the hands the distributor,  and two, it is possible to be truly creative with computers.
 
Using CAD CAM to create furniture and interior products digitally, everything by Unto This Last is designed to be made almost entirely by a CNC router. Olivier's team has spent the past five years accumulating and fine tuning files - they have a stock of 4000 files for 100 products - so that the assembly process is made as simple and fast as possible.
 

Unto this last Venue
Unto This Last's Brick Lane shop
"Software is not something where you press a button and get a result. Software enables practice and investigation like a tool or musical instrument. Instead of having a big warehouse full of stock, all our products are stored in files on the computer, thus keeping costs down," says Olivier.
 
Olivier's ultimate goal is set up a network of workshops and digital crafts people exchanging designs and files and micro-manufacturing at the point of sale, so staying small and staying local. Each workshop functions as an open studio, where the customer can come in, meet the designer-maker and see the product being made in the workshop through a glass partition.
 
"The concept of the open studio is very much the identity of Unto This Last, with people buying direct from the maker," he says. He wants to make the workshop itself a reason for customers to visit, creating an interactive experience for them so they buy not just the product but also the story behind it.
 
The company has yet to duplicate the model to propagate the chain of workshops from Brick Lane to Madison Avenue, but the seeds have definitely been planted.
 
 
Yasmine Chinwala, December 2005