I am interested in the vessel as an abstract sculpural object.
I am concentrating on simple essential forms which sometimes emphasize the relationship between internal and external space or the movement or stillness within the form.
All pieces are hand built and then burnished to achieve a tactile sensual surface. The distinctive patterning which complements the form is achieved in a carefully organised secondary smoke firing.
2005: One Piece- One Artist, Galerie Marianne Heller, Heidelberg, Germany
2005: Masterpieces, Loes& Reinier International Ceramics, Deventer, Holland
2005: Biennale Europeenne de Ceramique Contemporaine 2005, Maison de
l’Outil, Troyes, France
2005: Die Sprache der Dinge, Theodor-Zink-Museum, Kaiserslautern, Germany
2005: GABRIELE KOCH (solo), Keramikmuseum Staufen, Germany
2005: Modern Pots, Dulwich Picture Gallery, London
2005: Collect, Victoria & Albert Museum, London
2004: SOFA, Chicago, USA
2003: GABRIELE KOCH (solo), Yorkshire Museum, York
2001: GABRIELE KOCH(solo), Contemporary Applied Arts, London
PUBLIC COLLECTIONS:
Grassi Museum, Leipzig, Germany
Badisches Landesmuseum, Karlsruhe
Aberdeen Art Gallery
Ashmolean Museum, Oxford
The Eagle Collection, Shipley Art Gallery, Gateshead
Fitzwilliam Museum, Cambridge
Leeds City Art Gallery
Museum Bellerive, Zurich
Sainsbury Collection, University of East Anglia, Norwich
Victoria & Albert Museum, London
1982: Setting Up Grant, Crafts Council.
1984: Prize, Biennale Internationale de Ceramique, Vallauis, France.
London Individual Grant, Crafts Council.
2002: 'Gabriele Koch', introduced by Sir David Attenborough, New Edition 2002, Marston House Publishers.
From the studio gallery
Contemporary Applied Arts, 2 Percy Street, London W1P 9FA
Crafts Council, 44a Pentonville Road, London N1 9BY